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PRIORY AND CHURCH OF ST. PETER'S, THURGARTON, NOTTS. (2)
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Thurgarton Priory tower.
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Only three of the aisle arches remain on either side of the nave. The
piers which support these arches are very massive, alternately square
and diagonal in plan, different in detail and enriched with clusters
of subordinate pillars, which give also some lightness to the general
effect. Notice the south-west capitals, which are so constructed as to
imply the former existence of a south nave, south-west archway, and south-west
tower.
If, last of all, we go up the staircase in the tower, we shall come
to a series of arches over the present roof which give the line of the
old clerestory windows with arches below, indicating the old triforium.
The heads of these clerestory windows are about 5ft. below the line of
the 13th century gutter marked on the tower. The old aisle roof at the
highest point was 5ft. above the present nave roof gutter, or 3ft. 6in.
above the springing of the arches of the old triforium. These figures
demonstrate the fact that the old line on the east side of the tower
is the line of the 13th century aisle roof. There are three bells:—
The big one, which is the clock bell, dated 1618, bears the inscription—"Thomas
Holland and Randull Pears, Wardens."
The middle one, dated 1607, bears Henry Oldfleld's bell-mark and the
legend, "I, sweetly toling, men do call to taste on meats, that
feeds the soule." The small bell is dated 1699, and also bears Henry
Old-field's bell-mark aud the inscription—" R, Arnold, Warden," with
the legend, "Jesus, bee our speede." Coming down to recent
times, we ought perhaps to remark that the nave and aisle of this church
were restored in 1854 by Mr. Richard Milward at a cost of more than £3,000.
The Chancel was added at the same time. The stained glass East Windows
were given by him in 1875. A sum of £500 for the erection of the Chancel
was also contributed by the Master, Fellows, and Scholars of Trinity
College, Cambridge, who have been rectors and landowners here since the
dissolution of the priory. When Mr. Milward came to live here the church
was in a wretched state and its aisle arcades were incorporated in the
outer walls.
As early as 1790 John Throsby speaks of the church as then consisting
of one dark aisle, the rest being totally destroyed. He also says: " Mr.
Rastall feels much for the demolition of some part of this monastery,
which was a kitchen vast and magnificent almost beyond parallel."
The present mansion was built in 1777 by Mr. John Gilbert Cooper, of
Southwell, who swept away all the older work that was left in his time,
with the exception of the undercroft or crypt, which still exists in
good preservation below the present house. This crypt measures 701/2ft.
by 251/2ft. It is bisected lengthwise by six pillars,
is plainly vaulted, and has exterior walls, with narrow windows to the
west. Portions of the undercroft are hidden by modern walling which now
subdivides it, and some of the original vaulting has been replaced by
a poor brick vault, probably in 1777. Bishop Trollope used to speak of
it as the Domus Conversorum or workshop of the priory, of which a fine
specimen remains at Fountains Abbey; but others, including the present
vicar, regard this undercroft as too ill-lighted for this purpose, and
are of opinion that it is more likely to have been the cellar of the
13th century priory, as it most certainly is of the 20th century episcopal
residence.
The house which preceded the present one appears from Buck's print to
be of Elizabethan date, with the exception of the fine monastic kitchen
referred to above.
Monastic buildings of this kind were grouped round an open square and
surrounded by a cloister. This was usually fitted into the warm and sheltered
angle formed by the south side of the nave and the south transept. The
usual arrangement of the monastic buildings round and adjoining the cloister
varied in details; but the general principles of disposition were fixed
early. They are embodied in a manuscript plan, dating as far back as
the 9th century, and found at St. Gall, in Switzerland, and never seem
to have been widely departed from. The monks' dormitory in that plan
occupies the whole east side of the great cloister, there being no chapter-house.
It is usually met with as nearly in this position as the transept and
chapter-house will permit. The refectory, according to the St. Gall plans,
is on the south side of the cloister, and has a connected kitchen. The
west side of the cloister was occupied by a great cellar. The infirmary
was placed to the east of the chancel of the church, and the granaries,
mills, bakehouses, schools were placed more remotely still from the west.
If the St. Gall plans were adopted at Thurgarton, and, as I have said,
they were rarely departed from, this western undercroft most have been
the cellar of the 13th century priory, rather than its Domus Conversorum
or workshop.
[When this paper was read at Thurgarton Priory, the following was omitted.]
Very little is known of the individual lives of those who generation
after generation spent their days at Thurgarton Priory. We do possess,
however, a mystical treatise called The Scale (or Ladder) of Perfection,
written by one Walter Hylton, a canon of Thurgarton. The book has been
reprinted from the edition of 1659, with an introduction by the Rev.
J. B. Dalgairns. Hylton lived near the end of the 14th century, and though
little is known about the author's life, his book was widely read, and
was "chosen to be the guide of good "Christians in the courts
of kings and in the world." The mother of Henry VII., Margaret Beaufort,
is said to have valued it very highly.
There are two lives, he teaches, the active and the contemplative; but
in the latter there are many stages. The highest kind of contemplation
a man cannot enjoy always, "but only by times when he is visited;" "and
as I gather "from the writings of holy men, the time of it is very
short." Visions and revelations of whatever kind" are not true
con-"templation, but merely secondary. The devil may counter-"feit
them;" and the only safeguard against these impostures is to consider
whether the visions have helped or hindered us in devotion to God, humility,
and other virtues." In the "third stage of contemplation," he
says finely, "reason is "turned into light and will into love." The
true light is love of God, the false light love of the world. But we
must pass through darkness to go from one to the other. "The darker "the
night is, the nearer the day." It is gratifying to find that our
Canon of Thurgarton shakes off here, easily and unconsciously the older
nihilism of the mystics; the "negative road" which leads to
darkness and not to light. Hence our countryman's mysticism is sounder
and saner even than Eckhart's or Tauler's.
Before leaving him it may be worth while to quote two or three isolated
maxims of his as examples of his wise and pure teaching. "There
are two ways of knowing God—one "chiefly by the imagination, the
other by the understanding. "The understanding is the mistress,
and the imagination is "the maid." . . . . " What is heaven
to a reasonable "soul ? Nought else but Jesus God." . . . . "Ask
of "God nothing but this gift of love which is the Holy Ghost. "For
there is no gift of God, that is both the giver and the " gift,
but this gift of love."
The following extracts from the statutes of the Black Canons will give
us some idea of their rule and way of life :—
"Quod omnes Canonici omnibus horis canonicis interesse tenentur.
Post completorium dictum a conventu, accepta aquae benedicta ab eo qui
dare solet, immediate ad dormitorium simul regulariter transeant, ubi
silentium teneant. In dormi-torio in cellulis distinctis singuli in singulis
et separatis lectis cubent et jaceant; et quadibet cellula, dum in ea
aliquis canonicorum fuerit, toto die quo inibi invaserit, tarn de die
quam de nocte, ab anterior! parte sit aperta, ut introspicere volentes
videre possint quod intus agatur. In refectorio consuetam lectionem habeant,
cui attentas aures accommodent ac silentium teneant. Matutinas et alias
horas canonicas in choro simul omnes canonici distincte et sonora voce
alternatim omni devocione teneantur (habere), missam quoque cantent;
uno celebrante ceteri omnes in choro intersint orationibus aut contemplacionibus
intendentur. Omnes de eodem monasterio habitu unius colons et ejusdem
forme utantur, et tonsuram gerant uniforme . . . . . utantur vestibus
honestis albi, nigri, quasi nigri coloris." (Stat. Ord. 1519; Cotton
MS., vesp. F. ix. f. 22, 31.)
In conclusion, an old distich tells us that the Franciscan loved the
town, the Jesuit the city, the Cistercian the valley, and the Benedictine
the mountain. The Benedictine was the citizen, the chronicler, the most
learned of monks; the Cistercian was the educator of the poor, the friend
of the labourer ; the Clugniac combined the fine arts, reading, and study
with labour and agriculture; the Carthusian was the ascetic of religious
life; the Dominican was the preacher eager for the development of thought,
truth, and philosophy; the Franciscan Minor was the preacher of equality;
the Austin Friars were proverbial for their logic, and the Austin Canons
for their love of preaching. It does seem to have been a fatal error
at the Reformation not to have devoted their stately houses, their beautiful
churches, and their splendid foundations to charitable uses, study, and
religion. But even now we may still gather up the fragments of the goodness
and greatness they once held fast; we may still retain many of the great
lessons they taught, and as we treasure them in our hearts, may go forward
in our day and generation with firmer and surer feet.
The following remarks written by Mr. Christian on visiting the church
about the year 1852, shortly before its restoration, will be read with
interest. Of course the "east front" spoken of in his remarks
is merely the wall which closed up the end of the fragment of the original
nave, which fragment, together with the tower, then constituted the whole
church. In this wall were the two 14th century windows now at the east
end of the chancel which was added to the nave in 1854.
THURGARTON.
Remains of the Abbey-Church very singular and not comprehensible on
a hasty glance. As it appears now it has an east front of great beauty,
though partially ruined; and at the west end, an archway of exceeding
richness and late E. E. has been filled with glass, to form an enclosure
giving light into the church. At the north-west angle is the tower, of
great height and beauty of detail, but not by any means in a perfect
state. The entrance is through this tower by a small but beautiful doorway,
in which there still remains the ancient door and hinges. The mouldings
in the arch of this doorway and in the arch of the west wall are of the
richest character in E. E., arranged in well-defined masses, and relieved
by plentiful series of the 4-leaf ornament. The south wall, being next
the Hall which now occupies the site of the Abbey part, is not visible,
and the north wall, from its imperfect state, was evidently not originally
intended for the exterior. The east wall is of very beautiful Early Decorated
character, and has a peculiarly rich and delicately moulded double window,
each part of two lights with a quatrefoil head. The window has a central
and two side pillars, and each of the mullions and the corresponding
members of the jambs are finished with attached shafts and exquisitely
moulded caps and bases. Internally, the central mullion has not a perfect
pillar, but a beautiful canopied niche with a richly foliated terminal
and corbel. This niche appears to have been elaborately finished in colours.
The interior, except in this particular, presents but few features of
interest, but many barbarisms have been perpetrated within its walls.
Several oak benches remain of very early character. The east wall would
afford much food for speculation. I do not think it was originally finished
with a gable, and the stones, having been much hacked and roughly finished
under the tiles, would appear to favour this view; but how it was finished,
my hasty observations would not enable me to determine. At any rate,
the form now given to the wall has the advantage of a very pleasing outline,
and combined with the rich details, the result is most satisfactory.
Close to the tower on the north wall is a porch with a rich E. E. archway.
This, as it evidently does not belong to the wall, must have been moved
to the site it now occupies, and probably at no distant date. The situation
of the church is very secluded, exceedingly beautiful, and whether to
the artist or the architect, the spot presents attractions of no ordinary
interest.
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