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Colwick church and monuments (2)
By Mr. George Fellows.
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On the front panel of this tomb, against a shield of arms, this son,
also a Sir John, is represented kneeling, with his four sons in similar
attitudes behind him, whilst on the opposite side of the shield is a
lady (doubtless his wife, Alicia de Strelley) and three daughters, also
kneeling: the shield comprises the arms of Byron, viz., argent, three
bendlets enhanced gules, impaling those of Strelley:—paly of six
argent and azure, surmounted by the well-known Byron crest of a mermaid
proper, crined and holding in her dexter hand a mirror, and in her sinister
hand a comb. This shield of impaled arms displays those of John Byron,
son of the Sir John on whose tomb they appear. It would in all probability
be this man who was responsible for the design and execution of the tomb
of his father who lived to be eighty-eight years old, and having in view
the doubt of his own legitimacy, it would be his policy to identify himself
and his offspring with his father as closely as possible.
On the west end are three shields, on which the Byron arms are in evidence;
around one of the shields is “Isabell byron daughter of Mr Lemington,” in
recognition of Sir John’s first wife; and on the east end are two shields,
on one of which Byron impales the arms of Consterdine, in recognition
of the second wife.
In addition to the carving and lettering, this tomb possesses a further
interest, for there seems no doubt that it was made to serve as an altar
for a mass priest long after the suppression of chantries. In the Torre
MS. is the following testamentary burial:—“31 May 1567 Sir John Byron
of Newstead, Knight, to be buried in this Church, where he willed a priest
to sing mass for his soul and his ancestors ten years after his death
and to have for his stipend £10 per annum; ” here we have strong presumptive
evidence that this tomb was used as the chantry altar, for two of the
consecration crosses are still clearly visible at the western corners.
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Colwick Church—Tomb
on south side of chancel.
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The mensa of the high altar now in use in the church is a slab of grey
marble with five consecration crosses, which are Maltese crosses in shape,
and not like the crosses one usually finds in similar circumstances.
This slab is probably the one referred to by Barker, the author of Walks
round Nottingham, published in 1835, as “one beautiful marble slab.”
We next turn to the most ornate tomb in the church, viz., the tomb of
Sir John Byron and his wife Alicia, daughter of Sir Nicholas Strelley
of Strelley. He died in 1609. On his tomb, which is of rich alabaster,
he is represented as having an extravagantly long beard: he is wearing
a suit of plate armour with laminated cuisses, goffered frills round
his wrists and neck, a long chain round his shoulders, sabbatons, and
a short sword. His wife lies at his right side; both the figures are
beautifully carved. Two columns enriched with carving carry the entablature.
On the base is some poetry of a somewhat florid style of composition,
which, however, is here set out in full, and so put on record from notes
in the possession of Mr. F. W. Dobson, but damp has rendered the original
unreadable:—
"Let ffame wyth golden tromppets blast
The worthie praysis eternize
Of Sir John Byron Gentle Knight
Whose corps by loo thise pictures lies
Sir John his sonne for parents love
Caused to erect this monument
That vertues of his father dead
In future tyme it might present."1
In the spandrels are shields of arms, showing Byron quartering Clayton
and impaling Strelley.
In the Notts. Visitations, 1569-1614, in the heading of the Byron pedigree,
is the following:—“The above coat, differenced with a bordure sable,
is also tricked with this note:—“Thus John Biron of Newstesd base Sonn
of Sir John bare it and two descents from him.” Under the trick of the undifferenced
coat is written, “Thus they bear it now 1630.”
The tomb has every appearance of having been executed by the same craftsmen
as the tomb of Sir William Sutton, which we saw at Averham Church, on
the occasion of the Thoroton Society’s visit there in 1913. There is
no reason why this should not be so, as the two knights were contemporaries;
the one died in 1609, and the other in 1611.
The state papers let light into the private lives of Sir John and his
wife’s relatives. Their squabbles became acute and were submitted to
arbitration, with the result that Sir Nicholas Strelley was ordered to
pay the sum of 53/4d. to Richard Greenhill, a servant
of the Byrons, for “hurts and mayne” to him given by Sir Nicholas and
his servants, and it was further decreed that Sir John and Sir Nicholas
were to visit at each other’s houses twice yearly during three years, “to
hunt and passe the tyme together familyerly and to declare and open they’re
myndes ayther to oder to avoid future variencies.”
This “little Sir John” seems to have been a despotic little gentleman,
for Mrs. Hutchinson, in her Memoirs of the life of Colonel
Hutchinson, tells us that he disinherited his eldest son for marrying “a
private gentleman’s daughter in the country,” and passed his estate to
a younger son, another John Byron.
This lucky inheritor of the property is represented to us on a mural
monument on the north wall, above the tomb of his grandfather, already
described at length. Here we see him in armour, kneeling facing his wife;
he married a daughter of Sir William Fitzwilliams, to whom he was greatly
attached; she became demented, and died on the same day as her husband,
viz., 7th March, 1623. They had twin sons, the elder of whom succeeded
to the estates, and is represented beneath his parents, in a similar
attitude of devotion.
His wife was Anna, daughter of Sir Richard Molyneux, of Scofton, knight
and baronet. He died in the year 1625, and was buried at Colwick. It
is necessary, however, to refer to his son and successor,
although there is no monument to him, in order that he may serve as a
link with the family of Musters, who shortly after became possessors
of the property, and whose monuments will presently be referred to. This
Sir John Byron, knight, was the fifth Sir John in succession, and was
the eldest son of the man we have just referred to on the double monument
on the north wall. He was an ardent royalist, and was created Lord Byron
of Rochdale on 24th October, 1643, by King Charles I.; he was Field Marshal
General of H.M. Forces, and was one of four brothers who fought for the
king at Marston Moor, and the poet proudly refers to this:—
“At Marston with Rupert ‘gainst traitors contending
Four brothers enriched with their blood the fair field,
For the rights of the monarch their country defending
Till death their allegiance to Royalty sealed.”
It was this warrior who sold his estate to Sir James Stonehouse, of
London, but Doctor Thoroton informs us, “though of very great yearly
value he never got above half the money by reason of the breaking out
of the war.” Sir James Stonehouse did not hold the Colwick property long,
but sold it to Sir John Musters, knight, of London, a wealthy merchant,
who claimed descent from the De Monasterys, of Yorkshire. A lengthy inscription
on a large mural monument on the south wall of the chancel, surmounted
by a bust of Sir John, informs us that he married three wives: the son
by the first wife married Millicent, only daughter and heiress of Adrian
Mundy, and a son named Charles, who will be mentioned later. Sir John
Musters applied some of his wealth to restoring the church in 1684, and
building the chancel. He died on 28th July, 1689, aged sixty-six. This
monument was erected “to his honoured father” by Charles Musters, his
son by his second wife, which Charles died in 1719, aged sixty-four,
and, was buried in the vault at the east end of the church.
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